Photo → parametric CAD → wax

A photo of the piece in. A castable 3D model out.

Upload a product photo, confirm the stone plan Snap2Cast reads from it, and get print-ready STL files, a stone list and the metal weight in minutes. Every setting is generated by bench rules, so the file is castable the first time.

loading model…
67stones placed across the two sample jobs, from 2 mm halo diamonds to an 11 × 9 mm ruby
0.10 mmseat clearance, 0.05 mm stone skin — set by rule, not by hand
±5 %metal weight from mesh volume × alloy density, before casting
bulkdrop a folder of photos; every piece becomes a job in the queue
Worked jobs in the studio

Two photographs, two models

Open any of them: the detection overlay, the confirmed stone plan, the parameters and the 3D model are all there to change.

How a photo becomes metal

Four stages, one file that survives them all

The model is the contract between designer, printer, caster and setter. Snap2Cast builds it with the numbers each of them needs already in it.

01 · DIGITAL MODELLING

Build the model from the photo

Stones are detected and measured, snapped to calibrated sizes; settings are generated with claw, rail and seat dimensions from the bench rulebook; shanks and galleries follow ring size and finger clearance.

out: STL · 3DM · BOM · weight
02 · PROTOTYPING

Print the master

Parts are exported table-up with wire thicknesses above the printer's minimum, grouped on a plate, with support and orientation notes for castable resin or milled wax.

out: print plate · support notes
03 · LOST-WAX CASTING

Invest, burn out, cast

Sprue suggestions by part mass, alloy shrinkage applied as a uniform scale, burnout schedule by material, flask temperature by alloy.

out: casting ticket
04 · FINISHING & SETTING

Polish, set, deliver

Seats are cut to stone + 0.10 mm so the setter closes claws over the crown; a stone ticket lists every shape, size and count for the setter and the buyer.

out: stone ticket · job card
What's in the studio

Parametric tools a jewellery CAD operator would recognise

Change a dimension and the model rebuilds; nothing is modelled by hand.

Photo stone detection

Finds white and coloured stones, fits each one, classifies round, oval, marquise, pear and reads orientation. You confirm or correct, never redraw.

Gemstone library

Calibrated sizes per shape with carat weight by cut formula and specific gravity for diamond, emerald, ruby, sapphire, moissanite, CZ and more.

Setting generators

Claw baskets (2–8 claws), bezels and 4-bead pavé with claw, rail and bead sizes derived from stone width; shared claws where stones meet.

Automatic ring sizing

US, UK, EU/ISO, India/Japan and inner diameter in one control; shank, head height and finger clearance regenerate.

Metal weight & costing

Volume from the actual mesh, weight for 22k, 18k, 14k, platinum and silver, with casting shrinkage and finishing loss.

Production tracker

Each job walks Modelling → Printing → Casting → Finishing & setting with checklists, machine settings and dates, so the workshop sees where every piece is.

Why jewellers get bad CAD

The problems we hear at the bench, and what the software does about each

Collected from casting-house guidelines, jeweller forums and our own bench. Every row is a rule the generators enforce or a step the studio makes unavoidable.

What goes wrongWhat Snap2Cast does
Claws, walls and beads below the castable minimum; the file prints, the casting fails or wears through in a year.Generators size claws, rails and beads from stone width (claw ≥ 0.5 mm, walls ≥ 0.8 mm, beads ≥ 0.5 mm) and the pre-flight scan flags anything thinner, per alloy.
Non-manifold meshes, Boolean leftovers, naked edges: the casting house bounces the file or the slicer fills the wrong volume.Every part leaves the engine as one fused, watertight body; pinch points are repaired and the STL is re-read and verified before it is offered for download.
Seats too tight (setter grinds, stone chips) or too loose (stone rocks, claws over-worked).Seat = stone outline + 0.05 mm, girdle slot ±0.10 mm, from the stone's real pavilion. Deep-cut (Indian-cut) stones get a deeper seat with one switch.
Stone sizes guessed from a render; the parcel that arrives does not fit the seats.Sizes snap to the calibrated library; the stone ticket goes to the stone buyer before the file goes to the printer. Enter measured parcel sizes and every seat regenerates.
Weight comes out heavier than quoted (margin gone) or lighter than expected (flimsy, bends).Weight is computed from the actual mesh volume × alloy density, with casting and finishing loss, live while you change the shank, gallery or head, plus an order-weight line for the metal desk.
Ring arrives a quarter size out; a 5 % scale error from a photo is a full size.One confirmed real dimension anchors the scale, sizes are entered in US/UK/EU/India at once, shrinkage is applied once as a labelled scale, and the finish allowance keeps the ring from polishing large.
Thin long holes and sharp internal corners break the investment and trap gas: porosity, voids, incomplete fills.No hole under 0.5 mm is generated; galleries are opened under every stone; rail-to-claw joins are filleted; azures are sized to the stone.
Unsupported spans and floating claws move in burnout; heads come out crooked.Heads wider than 6 mm get an under-gallery or bridge; claw bases land on a rail, never on air; the print plate note says where supports go.
Render looks nothing like the piece; the client approved a picture, not a dimension.Approval happens on a dimensioned sheet (top and side views with measurements, stone sizes and weight), exported with every job.
Days per revision because the CAD operator is remote, busy or gone; the shop cannot change a stone size itself.Parameters rebuild the model in seconds in the browser; staff change size, stone, metal and setting style without a CAD licence.
Caster, setter and polisher each get a different story; nobody knows which version was cast.One job card per version: stone ticket, print notes, casting ticket, finishing notes; the stage tracker shows where every piece is.
Catalogue work by the hundred: the same design in five sizes and three stone grades, each a separate CAD order.Bulk upload builds a job per photo; size runs and stone-grade variants regenerate from one parameter set.

What the photo gives you

  • Stone shapes, counts and proportions
  • Layout, spacing and orientation
  • Setting style (claw, bezel, pavé) and metal colour
  • Overall silhouette and graduation

What you confirm in one minute

  • One real dimension: ring size, a known stone, or a ruler in the photo
  • The back of the piece: gallery, shank profile, post or clasp
  • Stone material, so carat weight and seat depth are right
  • Alloy, so weight and shrinkage are right
Pricing

Seven days free, then pay for the models you ship

Prices in INR, GST extra. A model = one piece analysed, built and exported, any number of parameter changes included.

Trial
₹0 · 7 days
  • 10 models, full exports
  • 1 seat
  • Bulk upload up to 10 photos
  • No card required
Start trial
Solo
₹2,499/month
  • 40 models / month
  • 1 seat
  • Bulk upload up to 25 photos
  • STL, OBJ, 3DM, BOM, job card
Choose Solo
Factory
₹19,999/month
  • 600 models / month
  • 10 seats
  • Bulk upload up to 500 photos + API
  • Custom rulebook (your minimums, your alloys)
  • Dedicated support
Talk to us

Overage ₹120 per extra model. Annual billing: two months free. Payment through Razorpay with GST invoice. Files you export stay yours.

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Bulk edit the plan:
#ShapeStoneL mmW mmAngleQtyct eachUse
The rules the generators enforce

Fifty years at the bench, written as numbers

These are the defaults Snap2Cast applies. Factory plans can replace any value with the workshop's own.

Claws and rails

Stone width WClaw ØBearing rail ØGallery rail ØClaws
1.0 – 2.0 mm (melee)0.40 – 0.500.45 – 0.50—beads or 4 fine claws
2 – 4 mm0.50 – 0.700.50 – 0.660.44 – 0.604
4 – 9 mm0.70 – 1.200.66 – 1.100.60 – 1.004 (marquise/pear: tips + sides)
9 – 20 mm1.20 – 1.501.101.005 – 6, tip claw on pear and marquise

Rule used by the generator: claw Ø = 0.10·W + 0.30, clamped to 0.5–1.5 mm. A claw ends 0.55 Ø above the crown-mid line, pre-bent, so the setter has metal to close without filing it away. A marquise or pear always gets a claw on the point: the point is the stone's weakest place and the setting's strongest grip.

Seats

Seat (bearing) at one third of the pavilion depth below the girdle is wrong for calibrated goods; use the girdle plane itself: the bearing rail sits with its top 0.10 mm under the girdle and the pavilion rests on the rail's inner edge. Clearance: stone outline + 0.05 mm all round, girdle slot ±0.10 mm. Less than that and the setter grinds the seat; more and the stone rocks.

Pavé

Pitch = stone Ø + 0.20 mm (0.15 for 1.0 mm and under). Beads Ø 0.45–0.50 raised 0.25 above the surface, four per stone, shared; never under 0.45 in gold or 0.5 in silver. Azure every stone over 1.1 mm (Ø ≈ 0.5 × stone) for light, cleaning and weight. Minimum wall beside a pavé line 0.30 mm; a line closer than that to an edge needs a cut-down wall instead of beads.

Shanks and heads

Shank minimums for a daily-wear ring: 1.5 mm wide × 1.2 mm thick at six o'clock in 18k; 1.6 × 1.3 in silver; 1.4 × 1.1 in platinum. Comfort-fit inside radius ≥ 0.6 mm. Head height above the finger: 2–3 mm for clusters, 4–7 mm for solitaires (crown must clear the knuckle of the next finger). Finger clearance under a head 0.2 mm. A head wider than 6 mm needs an under-gallery of 0.7 mm or a bridge; openings under every stone.

Printing

Castable resin: 25 µm layers, parts table-up, supports on eyelets and claw bases only, never on seats or the inside of a shank. Milled wax for anything with a wall under 0.4 mm. Wire minimum 0.5 mm on resin printers, 0.6 mm for safety. Group one of each unique part on the plate; print duplicates in quantity only after the first casting proves the file.

Casting

Apply shrinkage as a uniform scale in the print software: 1.5 % for 22k and 18k gold, 2.0 % for 14k and silver, 1.2 % for platinum (gypsum-free investment). Sprue 1.5–2.0 mm on a 3 g ring at the heaviest section (shank bottom), never at the head. Resin burnout: hold at 150 °C 60 min, ramp 1.5 °C/min to 370 °C hold 120 min, ramp to 730 °C hold 180 min, cool to flask temperature: 480–520 °C for 18k, 580–620 °C for 14k white, 620 °C for silver; platinum needs its own investment and a centrifugal cast.

Allowances

Polishing removes 0.1–0.2 mm. Model high-polish surfaces 0.1 mm proud and rings an eighth of a size small, or the finished piece ends thinner and larger than drawn. Fill any gap under 0.3 mm in the model; the caster cannot. Do not model milgrain: leave a 0.3 mm edge for the setter to roll. Lettering: block strokes 0.5–0.7 mm, 0.35 mm deep; nothing inside a ring.

Finishing and setting

Allow 4 % metal loss from sprue cut, pre-polish and setting. Stones go in after pre-polish, rhodium after setting. The job card lists each stone's shape, size, count and carat so the setter and the buyer read the same ticket. Finished ring sizing: ±¼ size at the first cast is normal; adjust the model, not the ring, before the production run.